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Into The Woods Today, Whole Town in Fascination

“Into the Woods” is a modern twist on the beloved Brothers Grimm fairy tales, intertwining the plots of a few choice stories and exploring the consequences of the characters’ wishes and quests. This humorous and heartfelt musical follows the classic tales of Cinderella (Anna Kendrick), Little Red Riding Hood (Lilla Crawford), Jack and the Beanstalk (Daniel Huttlestone), and Rapunzel (MacKenzie Mauzy)—all tied together by an original story involving a baker and his wife (James Corden & Emily Blunt), their wish to begin a family and their interaction with the witch (Meryl Streep) who has put a curse on them.

Outstanding Team of Creative Talents

The film’s outstanding team of creative talents includes: Academy Award® winner Dion Beebe, ACS, ASC as director of photography; Oscar® winner Dennis Gassner as production designer; three-time Oscar winner Colleen Atwood as costume designer; Emmy® nominee Wyatt Smith as editor; Oscar winner Peter Swords King as makeup and hair designer; Emmy winner Mike Higham as music producer; Tony® and Emmy winner Paul Gemignani and Mike Higham as music supervisors; and Emmy winner Matt Johnson as visual effects supervisor.

The Beginning of The Journey

Twelve years ago, following the phenomenal success of the big screen adaptation of the Broadway musical “Chicago” (which won six Academy Awards®, including Best Picture), director Rob Marshall sat down with Stephen Sondheim and expressed an interest in directing a film version of one of the legendary composer’s stage productions. At the top of Sondheim’s list: “Into the Woods,” one of his most acclaimed – and poignant – works, and one which he thought would be a perfect fit for Marshall.

Marshall and his producing partner, John DeLuca, had been fans of Sondheim and James Lapine’s landmark musical since it opened on Broadway at the Martin Beck Theatre in 1987. In describing the piece Marshall says, “The story seamlessly intertwines Sondheim’s emotional, funny and brilliant score with Lapine’s intricate and masterful book, which is a modern twist on several beloved fairy tales, and is entertaining, while examining complex themes like the consequences of wishes, the parent/child relationship, greed, ambition, loss, and, perhaps most importantly, unconditional love and the power of the human spirit.”

Then in 2011, on the 10th anniversary of the 9/11 attacks, Marshall heard President Obama addressing the families of the victims. In an effort to console them, Obama said, “You are not alone...No one is alone.” The phrase “No One is Alone,” which is also one of the most moving and memorable songs from “Into the Woods,” struck a chord with Marshall, and in that moment he knew that the time was finally right to bring the beloved musical to the screen.

“In many ways, I think ‘Into the Woods’ is a fairy tale for the 21^st century post 9/11 generation,” Marshall says. “Sondheim and Lapine were way ahead of their time when they wrote it. The comforting knowledge that we are not alone in this unstable world gives us all that glimmer of hope.”

For Sondheim, “’No One Is Alone’” was written as a community song. “I believe Arthur Wing Pinero said that in writing a play, you tell the audience what you’re going to do, you do it and then you tell them that you’ve done it. If you tell them that you’ve done it, then it makes a package,” he says.

Synopsis